2017. Vol. 18. № 4 (68)
| Author | Article title | Pages |
|---|---|---|
| TAT’YANA KANEVA | “GOLDEN SIGN” IN FOLKLORE OF KOMI: A SONG OF THE TYPE “TO BURY GOLD” IN SONG TRADITIONS OF KOMI | 7-17 |
| MARIYA IVANOVA | VARIANTS OF THE LYRICAL SONG “LAD’S DREAM” IN FOLKLORE TRADITIONS OF SMOLENSK AND TVER’ | 18-29 |
| MARIANNA SMIRNOVA-SESLAVINSKAYA, ILONA MAKHOTINA | TWO SONGS PERFORMED BY B. IVANESKU AS SAMPLES OF POPULAR MUSICAL GENRES OF RUSSKA ROMA | 30-40 |
| SERGEY NEKLYUDOV | AT THE ORIGINS OF THE URBAN SONG OF THE 20TH CENTURY, OR WHY DID MARUSYA POISON HERSELF? | 41-61 |
| ANDREY KOFMAN | MEXICAN SENTIMENTAL SONG AND MECHANISMS OF FOLKLORIZATION OF ROMANTICISM | 62-73 |
| YULIYA OVCHINNIKOVA | TRADITION OF LA CANTADA CHANT IN THE CONTEXT OF THE DAY OF THE DEAD CELEBRATION (NAOLINCO, VERACRUZ, MEXICO) | 74-83 |
| Author | Article title | Pages |
|---|---|---|
| ELENA POPOVA | DISTILLING WINE, BREWING BEER AND HONEYMEAD: BEVERAGES AS THE BESERMYANS’ HOLIDAY ATTRIBUTES | 84-94 |
| EVGENIYA KHAZDAN | “PLEASANT WORDS ARE AS AN HONEYCOMB”, OR THE COMPREHENSION OF TASTE | 95-110 |
| KSENIYA OSIPOVA | ON THE PRINCIPLES OF DRAFTING ETHNO-LINGUISTIC DICTIONARY “FOOD OF THE RUSSIAN NORTH”: EXEMPLIFIED IN THE ENTRY “КАSHA” (“PORRIDGE”) | 111-123 |
| Author | Article title | Pages |
|---|---|---|
| STANISLAV ROSOVETSKIY | TARAS SHEVCHENKO IN UKRAINIAN ORAL PROSE | 124-133 |
| VLADIMIR BUZIN | A BRIDEGROOM HORSEBACK ON THE “KONIK”: HORSEMAN IMAGE IN RUSSIAN WEDDING RITE AND ITS MYTHOLOGICAL CORRESPONDENCES | 134-144 |
| ANNA LAZAREVA | SYMBOLISM OF TREE IN DREAMS | 145-158 |
| TAT’YANA KRAYUSHKINA | REPRESENTATIONS OF THE EAST SLAVIC PEOPLES ABOUT FOREIGNERS IN THE LIGHT OF INTER-ETHNIC COMMUNICATIONS (BASED ON THE FOLK-TALE FUND OF SIBERIA AND THE FAR EAST) | 159-169 |
| BORIS SENGLEEV | MAZAN BATYR — AN EPIC HERO OF THE KALMYK FOLKLORE | 170-181 |
| LYUDMILA DAMPILOVA | MYTHOLOGICAL SEMANTICS OF SNAKES (MOGOY), WATER SPIRITS (LUZ) AND DRAGON (LUU) IN THE FOLKLORE OF THE MONGOLIAN PEOPLES | 182-189 |