THE FRIGATE PALLADA BY I. A. GONCHAROV AS A LITERARY MONUMENT OF ARTISTIC ETHNOLOGY

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Key words
artistic ethnology, author-narrator, comparison, rhythmic and ornamental prose, comic
Author
GULZADA G. BAGAUTDINOVA
About the Author
https://orcid.org/0000-0003-1709-1087
E-mail: gbagautdinova@yandex.ru Tel.: +7(8362) 68-80-02
1, Lenina sq., Yoshkar-Ola, 424000, Mari El Republic, Russian Federation
PhD in Philology, Associate Professor, Department of Russian Language, Literature and Journalism, Mari State University
Received
Date of publication
DOI
10.26158/TK.2019.20.5.015
Body

The genre nature of The Frigate "Pallada" by Ivan Goncharov is complex and eclectic. Despite its mosaic character, the structure of the text looks precise and elaborate. The novel tells about foreign countries, continents, and nations living there. The paper focuses on one chapter of the novel; its artistic ethnology is regarded. The author-narrator depicts customs, occupations, and ethnic peculiarities of the Chinese people in a vivid, amusing, emotional way thus providing an artistic level of the description. The main principle of plot structure is the one of comparison: similar and peculiar features of the Chinese and other nations (Americans, Englishmen, Russians) are defined. Moreover, ethnic peculiarities of various groups among the Chinese are displayed (people of Shanghai, Hong Kong, and Singapore).

Summing up the comparative analysis, the author concludes that the chapter entitled Shanghai seems to be written by a belletrist rather than by a documentary writer. Ivan Goncharov resorts to artistic devices typical of his fiction and novels (a variety of rhythm making factors; graceful and subtle manifestations of the comic; architectural structure; author’s viewpoint, well-grounded and precise; humanism). 

References

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For citation

Bagautdinova G.G. The Frigate Pallada by I. A. Goncharov as a Literary Monument of Artistic Ethnology. Traditional culture. 2019. Vol. 20. No. 5. Pp. 181-188. In Russian.